Most of them have returned, bringing with them fashion influences that have translated into a vibrant homegrown industry
After almost 200 years of Western influence on their clothes, Liberians are revelling in a style revolution, designing and tailoring their own edgy creations with prints and cuts influenced by their African neighbours.
Until
2003, when a peace deal ended 14 years of devastating civil war, tens
of thousands of Liberians had been living as refugees in Ivory Coast, Ghana and Guinea.
Since
then, most of them have returned, bringing with them fashion influences
that have translated into a vibrant homegrown industry.
Increasingly
visible across the country are a wave of unique Liberian creations,
which are rapidly eclipsing the once-popular combination of polo shirts,
jeans and hoodies.
Back home, Liberians began
asking tailors to stitch them clothes like the ones they had grown used
to in Conakry or Abidjan, where people habitually wear traditional west
African styles.
Insatiable demand
"The long stay of many Liberians in other African countries during the war (was) where they saw different ways of dressing," designer Agatius Coker told AFP.
These
days, chic in Liberia means channelling a vibrant fierce elegance --
from edgy "resort pants" slit to the thigh, to bright print shirts, or
"handkerchief" dresses paired with head wraps.
One
of Coker's key markets is traditional African wedding celebrations,
attire for which is now as sought after as the outfits for a standard
European wedding.
"The cloth is produced in African countries, we buy it and do the design here and the sewing," he said.
A breathable, loose-fitting cotton suit costs between $60 and $80 (53 and 71 euros), and a print shirt around $35.
"We are less expensive than the European styles that cost $120 and above," Coker added, and in the extreme humidity "the African styles are adapted to our weather."
Sub-Saharan
Africa's oldest republic, Liberia was founded by the United States in
1822 for freed American slaves, the descendants of whom still dominate
political and economic life.
Over the generations,
the local tribes living in Liberia largely adopted the dress of these
American settlers, explaining the sartorial leanings of this west
African nation.
One by-product of their switch to
African style is that Liberians have become avid window-shoppers,
stopping to photograph the latest styles displayed outside new
boutiques.
A secure livelihood
And this is far from a female-only phenomenon.
Strutting
down a Monrovia street on the lookout for a new outfit is Roosevelt
Krumah, who is kitted out in black skinny jeans, leather boots and a
shirt made of bands of clashing prints, a matching cotton cap on his
head.
With him is his friend Joe, sporting turquoise trousers, a black dress shirt and a waistcoat with matching turquoise lapels.
"I feel like a real African when I dress in African style," says Krumah, for whom functionality is also a big draw.
The impact is not only
a feast for the eyes but a secure source of income in an economy
heavily reliant on small-scale entrepreneurship.
Designer
Korlu Jallah, a haute couture specialist who founded the Liberian brand
Edith House of Fashion, has now diversified into pret-a-porter to deal
with demand.
Five years ago she was just another jobless college graduate.
"My mother is a seamstress. I used to like watching her sewing when I was small," she says, speaking to AFP in her multi-purpose studio-store.
"When
I had difficulty in finding a job, she advised me to continue in
tailoring. It was difficult at the beginning because our women liked the
European fashions."
'It blings you up'
The
32-year-old now employs 22 people, including 15 tailors, six saleswomen
and an administrator, but still finds it hard to keep pace with her
customers' demands.
"Our African style has taken the lead," she says, gesturing to the queue of ladies waiting for a fitting.
"As you can see, business is going well."
Ophelia
Gbedia, 19, helps to sell Jallah's designs and has managed to avoid
permanently dropping out of school early like the majority of Liberian
girls, despite the death of her father during the Ebola crisis.
"He was paying my school fees," she said, carefully folding cotton shirts.
"That's how I dropped out of school, but now that I have this job, I've gone back."
Handsome
profits for the designers and jobs for the young are not the only
by-products of the phenomenon, which taps deep into Liberian psychology,
according to stylist Jodie Reid Seton.
"It brings out the realness in you, the real African continent; a real African woman's pride," she told AFP.
"When it comes to African (style), it blings you up."
Reid
Seton, who has seen a boom in sales with her label Sarnokoon Designs,
can no longer imagine life without a touch of Africa to her outfit when
she gets dressed in the morning.
"Even if you're not in an African dress, you can wear African pants; you have to have on at least an African bangle or something," she explains.
"Once you're in that nice African attire, everyone is drawn to you. There's a certain beauty about it."
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